Sobre Maria Granada

María Granada es ingeniera y artista multidisciplinar. Nacida en Andalucía y residente en Madrid desde comienzos de los años 2000, ha desarrollado durante más de dos décadas una práctica creativa constante e independiente. 

Su trabajo se desarrolla a través de la acuarela, el dibujo y la escritura, medios que explora como formas de expresión artística. Durante años trabajó en consultoría internacional de innovación tecnológica, una etapa marcada por los viajes y los tiempos de espera que convirtió en espacios de creación. Sus primeras obras nacieron en aeropuertos, estaciones y trayectos, donde comenzó a construir un imaginario visual a partir de escenas cotidianas. 

En 2005 residió en Estambul, donde entró en contacto con la tradición sufí, experiencia que marcó un punto de inflexión en su proceso creativo. A partir de entonces incorporó la meditación a su práctica, primero a través de la danza y posteriormente en la escritura y la producción plástica. 

Actualmente compagina la docencia con el desarrollo de nuevos proyectos artísticos y editoriales. 

A close-up, photographic image of a refined ceramic piece by Maria Granada: a tall, slender stoneware vase with a matte, off-white glaze and subtle hand-carved linear patterns circling its surface. The vase sits on a minimalist concrete plinth against a softly textured, warm-gray wall. Diffused gallery-style lighting from above and slightly to the side brings out the surface relief, creating delicate shadows within the carved grooves. Shot at eye level with a centered, balanced composition and generous negative space around the vase, the mood is sophisticated, serene, and contemplative, emphasizing craftsmanship and materiality. A small, blurred wall card in the background hints at an exhibition setting in Madrid, Spain, without displaying readable text.
A carefully curated exhibition-style shelf dedicated to Maria Granada’s artist books and ceramics: staggered white shelves hold a series of small, uniquely shaped cups, bowls, and sculptural vessels in white, sand, and muted blue glazes, interspersed with upright and open artist books revealing intricate spreads of illustration and photo-based collage. The shelf is mounted on a pale, plaster wall in a contemporary Madrid loft. Soft, even gallery lighting bathes the objects, adding subtle highlights to the glazes and depth to the printed pages. Photographic realism, shot from a straight-on, eye-level perspective with sharp focus throughout the frame, creating a clean, sophisticated, editorial mood that quietly suggests contact and professional presentation without showing any explicit text or graphic icons.

Trayectoria y visión de Maria

Formada en artes visuales y edición, trabajo entre la ilustración, la cerámica y el libro de artista, explorando la memoria y el cuerpo como territorio. Mi estudio en Madrid es un espacio de ensayo continuo; visita el portfolio para ver las series completas.

Reseñas

A close-up, photographic image of a refined ceramic piece by Maria Granada: a tall, slender stoneware vase with a matte, off-white glaze and subtle hand-carved linear patterns circling its surface. The vase sits on a minimalist concrete plinth against a softly textured, warm-gray wall. Diffused gallery-style lighting from above and slightly to the side brings out the surface relief, creating delicate shadows within the carved grooves. Shot at eye level with a centered, balanced composition and generous negative space around the vase, the mood is sophisticated, serene, and contemplative, emphasizing craftsmanship and materiality. A small, blurred wall card in the background hints at an exhibition setting in Madrid, Spain, without displaying readable text.

Aya Nakamura

La obra de Maria Granada combina una gran sensibilidad gráfica con una investigación rigurosa del objeto y el libro, resultando en piezas memorables.

A carefully curated exhibition-style shelf dedicated to Maria Granada’s artist books and ceramics: staggered white shelves hold a series of small, uniquely shaped cups, bowls, and sculptural vessels in white, sand, and muted blue glazes, interspersed with upright and open artist books revealing intricate spreads of illustration and photo-based collage. The shelf is mounted on a pale, plaster wall in a contemporary Madrid loft. Soft, even gallery lighting bathes the objects, adding subtle highlights to the glazes and depth to the printed pages. Photographic realism, shot from a straight-on, eye-level perspective with sharp focus throughout the frame, creating a clean, sophisticated, editorial mood that quietly suggests contact and professional presentation without showing any explicit text or graphic icons.

Mateo García

Trabajar con Maria ha sido impecable; entiende cada proyecto en profundidad y traduce el concepto en ilustraciones y cerámicas precisas.